Imagination and fancy
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Imagination and fancy or, Selections from the English poets, illustrative of those first requisites of their art, with markings of the best passages, critical notices of the writers, and an essay in answer to the question "What is poetry?" by Leigh Hunt

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Published by Smith, Elder & Co. in London .
Written in English


  • English poetry.,
  • English poetry -- History and criticism.

Book details:

Edition Notes

Statementby Leigh Hunt.
The Physical Object
Paginationxii, 315 p. ;
Number of Pages315
ID Numbers
Open LibraryOL15048892M

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Imagination and Fancy, Or, Selections from the English Poets; Illustrative of Those First Requisites of Their Art: with Markings of the Best Passages, an Essay in Answer to the Question What is [Leigh Hunt] on *FREE* shipping on qualifying offers. This historic book may have numerous typos and missing text. Purchasers can usually download a free . Imagination and Fancy; Or, Selections from the English Poets, Illustrative of Those First Requisites of Their Art; With Markings of the Best Passages, Paperback – Janu by Leigh Hunt (Creator) › Visit Amazon's Leigh Hunt Page. Find all the books Author: Leigh Hunt. Leigh Hunt was an English essayist, writer, and a friend of Shelley and Keats. He is the author of "Imagination and Fancy" and "What is Poetry? "David Jesson-Dibley is the principal reader for The Professional Author's and Publisher's : Leigh Hunt. Book Description. First published in , this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work begins with a discussion the history of these concepts which were also known to Aristotle, the Elizabethans, Hobbes, Locke and Blake.

  The distinction made by Coleridge between Fancy and the Imagination rested on the fact that fancy was concerned with the mechanical operations of the mind while imagination on the other hand is described the mysterious power. “The Primary Imagination” was for Coleridge, the “necessary imagination” as it makes images and impressions of. The distinction b/w Fancy and the Imagination: The distinction made by Coleridge between Fancy and the Imagination rested on the fact that Fancy was concerned with the mechanical operations of the mind, those which are responsible for the passive accumulation of data and the storage of such data in the Size: 88KB.   The creative endowments, fancy, derived from the Greek word 'Phantasia', and imagination, from the Latin 'imagination', have received various meaning in different literary periods. In eighteenth century literary theory, imagination and fancy was regarded as a mode of memory. Hobbes defined imagination as "nothing but decaying sense" and concluded that, " imagination and fancy. Imagination is one of the most advanced human faculties. * {{quote-book, year=, author=, title=Lord Stranleigh Abroad, chapter=5 citation, passage=She removed Stranleigh’s coat with a dexterity that aroused his imagination.}} Particularly, construction of false images; fantasizing. You think someone's been following you?

  Excerpt from Poems of Imagination and Fancy Year after year unto her feet. She lying or. Her couch alone. Across the pun 73 coverlet. The maiden's jet-black hair has grown. On either side her tranced form Forth streaming from a braid of pearl: The slumbrous light is rich and warm. And moves not on the rounded : Alfred Tennyson. Coleridge On Imagination And Fancy book. Read reviews from world’s largest community for readers. Furthermore, Coleridge put an accent on the difference between imagination and fancy. In fact, while imagination was the creative power of poetry, fancy was just a 5/5(1). Differentiate between fancy and imagination as proposed by Samuel Taylor Coleridge. In his work Biographia Literaria, Samuel Taylor Coleridge distinguished between "fancy" and "imagination.